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随着文化艺术产业改革的进一步发展,油画作为从西方引进的艺术产业,逐渐与我国本土的绘画艺术相结合,成为了我国传统文化产业的重要组成部分。我国油画的创造过程也经历了由借鉴西方到自主创作的历史过程,因此学术界开始提出“油画民族化”的发展理念,我国油画艺术也展现出多元化和个性化的发展趋势。从“油画民族化”的理论形态出发,对“油画民族化”的特征及其发展道路做进一步研究,以更好地应对全球化进程中我国油画产业在发展道路上所遇到的新问题。
With the further development of the cultural and art industry reform, as an art industry imported from the West, oil painting has gradually become integrated with the native Chinese painting art and has become an important part of China’s traditional culture industry. The process of oil painting creation in our country has also gone through the historical process from drawing lessons from the West to the independent creation. Therefore, academics began to put forward the development concept of “nationalization of oil painting”. China’s oil painting art also showed the trend of diversification and individualization. Based on the theoretical form of “nationalization of oil painting”, this paper further studies the characteristics of “nationalization of oil painting” and its development path in order to better cope with the development of Chinese oil painting industry in the process of globalization New problem