论文部分内容阅读
早在1996至1999年间, 中国艺术品市场处于低潮阶段,郭庆祥此时却购藏了多件近现代名家的精品,其中不乏以“天价”成交的顶级艺术品,这在当时很多人都持怀疑的目光。然而近10年过去了,事实证明, 这些在当时包括以“天价”购藏的艺术品如今均以5倍,乃至10倍的价格增长,他成功了!他被誉为“中国艺术品收藏界的一匹黑马”。这不是偶然, 这是他多年来苦心钻研的结果。郭庆祥独具对中国艺术品市场的准确判断力,以及对中国经济腾飞和发展有百倍的信心。这一切充分证明了,他是一位有头脑、有魄力, 勤于研究的真正的收藏家。在2005年秋拍落下帷幕之际, 有一个明显而重要的现象凸现出来,那就是藏家的理性收藏。这再一次充分证明了郭庆祥曾经提出的“学术性收藏”的意义。在收藏界,作为最早,也是惟一提出“学术性收藏”的收藏家郭庆祥,他对此又有什么新的看法呢？为此,本刊记者专访了郭庆祥。
As early as 1996 to 1999, the Chinese art market was at a low ebb. However, Guo Qingxiang bought many pieces of modern and contemporary masters at the moment. Many of them were top art pieces sold at “high price”, and many people were skeptical at that time The eyes. However, nearly 10 years have passed. Facts have proved that these works of art purchased at that time including “sky-high price” are now 5 times or even 10 times the price of growth, he succeeded! He was hailed as “Chinese art collection A dark horse. ” This is not by accident, this is his painstaking research results over the years. Guo Qingxiang unique accurate judgment of the Chinese art market, as well as China’s economic take-off and development a hundredfold confidence. All this fully proves that he is a true collector with boldness, courage and diligence. As the fall of 2005 came to a close, one obvious and important phenomenon emerged that was the collector’s rational collection. This once again proves Guo Qingxiang once proposed the “academic collection” of significance. In the collection industry, as the earliest and only Guo Qingxiang, a collector who proposed “academic collection”, what is his new view on this? To this end, the reporter interviewed Guo Qingxiang.