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宋人小品花鸟画以借物抒情的诗意境界、单纯、精致小巧的外貌特征、现实主义的审美趣味形成了自己独特的个性语言,被视为宋代文化和绘画艺术的缩影。宋代是中国文化史上的鼎盛时期。这一文化高峰的出现跟宋几代帝王文化素质和文化提倡有密切关系,更重要的是本民族文化思想的引导和影响。本文尝试从宋人小品花鸟画中蕴含的文化精神实质入手,分析研究两宋小品花鸟画在构图与设色方面多表现出来的美学特征。
Song and flower sketches are characterized by their lyrical poetic realm, simple, exquisite appearance, realistic aesthetic taste and their own unique individuality language, which is regarded as a microcosm of Song culture and painting art. Song Dynasty is the heyday of the history of Chinese culture. The appearance of this cultural peak is closely linked with the cultural quality and cultural promotion of the emperors of the Song dynasties. What is more important is the guidance and influence of this national cultural thought. This article attempts to start from the essence of the cultural spirit contained in the Song and Erythis flower-and-bird paintings, and analyzes and studies the aesthetic characteristics of the flower and bird paintings in the two Song dynasties in terms of composition and color arrangement.