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对于“美国电影技术悖论”现象的研究,国外学者对此现象已着先鞭、众说纷纭,是追求“多元化”的后现代的典型特征。但我国在这一领域的探索尚处于肇基阶段,以“树状”的脉络进行一元化、线性的发展,关注点较为单一。基于收集到相关资料,梳理和审视了该现象的国内外相关研究,揭橥各家之论点,以期为今后此类研究的拓展提供一些思路。
For the study of the Phenomenon of “American Film Technology Paradox”, foreign scholars have taken the lead in this phenomenon and have different opinions. They are the typical characteristics of the postmodern pursuit of “diversity”. However, our exploration in this area is still in the infancy stage and the development of a unitary and linear development with a “tree-like” context has focused on a single point of concern. Based on the collected relevant data, the paper combs and examines the related researches at home and abroad of this phenomenon, exposing the arguments of each family, with a view to providing some ideas for the future expansion of such researches.