对传统艺术的再审视,是每一位作者实践创作中所必须要做出的选择。事实上,我们每个人都或谨慎或大胆地进行着图式表现陌生化的思考与技法表现陌生化的尝试。在今天的中国画创作实践中,宣纸承载力在情感观念表达时已经遭遇到可能的“制约”和可能“弱化”的困境。每个人都在用自己情感的注入方式进行着宣纸承载力的测试。这种测试是物理的,同时也是精神的;其过程是寂寞的,同时也是快乐的。视觉艺术样式正是以个体不懈 The reexamination of traditional art is the choice that every author must make when he practices writing. In fact, each of us, either cautiously or daringly, endeavored to unfamiliarly representations and techniques of schemata. In today’s practice of Chinese painting, the carrying capacity of rice paper has encountered the possible “constraints” and the possible “weakening” difficulties in the expression of emotional ideas. Everyone is using their own emotional injection of rice paper carrying capacity test. This test is physical, but also spiritual; its process is lonely, but also happy. Visual art style is based on individual relentlessness