陌生化作为俄国形式主义论证文学本质的核心概念,对小说语言研究产生了深远的影响,引起学界的关注探讨。我们通过中国学术期刊网查询,本世纪以来的11年间有关陌生化问题研究的论文占文学语言特征主题论文的52.6%,而探讨有关文学语言特征其他方面,如形象性、模糊性、音乐性、内指性等合计不足50%。从中可见学界对文学语言陌生化研究已成热点趋势。不过,从已有成果看,大多是对俄国形式主义陌生化概念的引述和理论层面的宏观探讨,而通过个案分析进行深入细致研究,特别是对小说语言分析的并不多见。鉴于此,本文选取当代中国小说界颇具影响力的女作家王安忆为实例,并以代表其创作风格重要转向的小说《遍地枭雄》为语料,通过对小说中语言陌生化的实例演绎,探讨陌生化的语用功能。 Defamiliarization, as the core concept of Russian formalism to prove the nature of literature, has had a profound impact on the study of novel language and has drawn the attention of academic circles. We query through the Chinese academic periodical network, and the thesis about the study of defamiliarization in the 11 years since this century accounted for 52.6% of the theses on the topic of literary language. The other aspects of literary linguistic features such as image, fuzziness, musicality, Indications such as total less than 50%. It can be seen from the academic circles that the study of the defamiliarity of literary language has become a hot trend. However, judging from the existing achievements, most of them are the quotations and theoretical discussions on the concept of unfamiliarization of Russian formalism. However, it is rare to analyze the novel language through case studies. In view of this, this article chooses Wang Anyi, the influential female writer in the contemporary Chinese novel community as an example, and takes the novel “Overworld” as the representative of the important turn of his writing style as a corpus. By definiting the unfamiliarity of language in the novel, Pragmatic function.