吉狄马加早期诗歌既有对民族文化的深爱,也有对民族劣质哀其不幸怒其不争的批判。随着年龄的增长、世界观价值观的转变,他的诗歌终于放慢了探索的脚步,顿足回望,充分认识到了现代文明对自然生态的巧取豪夺斩断了人类的精神归路,寻找回家的方向成了他诗歌的悲壮探索。故乡——生命的来路,灵魂之根,精神的家园,是当代诗人们走失很久之后,突然发现的回家方向。回归的声音在诗人的字里行间喷涌而出,诗人们几乎同时发出了回到原生态生活的声音:王晟的《愤怒的权力》、李松涛的《拒绝末日》是对生 Jidimagahe's early poems not only have deep love for the national culture, but also have an indisputable critique of the national inferiority and sadness. As the world grows older and his values ​​of the world change, his poetry finally slows down the pace of exploration. When he comes back to full realization, he fully understands that modern civilization has taken the best of natural ecology and severed the spiritual path of mankind and sought to go home The direction has become a tragic exploration of his poetry. Hometown - the way of life, the root of soul, spiritual homeland, is the direction that the poets suddenly discovered after returning to their homes for a long time. The voice of return echoed in the poet's lines, and the poets sent the voice back to the original ecological life almost at the same time: Wang Sheng's “angry power” and Li Songtao's “Doomsday”