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《文心雕龙·知音》(以下简称《知音》)篇着力探讨了文学作品的接受问题,一针见血地指出文学作品评价与接受中存在的诸多问题,并从创作论的角度对文学批评与鉴赏提出了一系列的原则与方法,《知音》篇可谓是我国文学接受理论的滥觞与典范。《知音》篇中诸多文艺批评观点继承了魏晋时期嵇康《声无哀乐论》中的理念,并对嵇康的文艺观念进行了修正与完善,将嵇康玄学与儒学的文艺理论有机融合,发展成为一套完整的文学接受理论体系。
Wen Xin Diao Long · Zong Yin (hereinafter referred to as “Zhi Yin”) focuses on the acceptance of literary works, points out a great deal of problems in the evaluation and acceptance of literary works, and from the creative point of view of literary criticism and appreciation Put forward a series of principles and methods, “sweetheart” can be described as the origin and theory of our literature acceptance theory. Many literary critics in “Zhiyin” inherit the notion of “no sorrow and sorrow” by Ji Kang in the Wei and Jin Dynasties, and revise and perfect Ji Kang’s concepts of literature and art, and organically integrate Ji Kang’s metaphysics with Confucianism , Developed into a complete system of literature acceptance theory.