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热闹是凑出来的。 在中国,文化艺术的大小盛事历来是把人们的注意力引向京城。然而近些时间来,文化艺术却变了线路,哪热闹哪去。90年代中国玩得最热闹的是市场经济,而南方则被看作是这种经济最大的街市,于是文化便奔南方来了。作为 1993年中国文化艺术盛事之一的中国艺术博览会,这次热热闹闹地扛着“文化广交会”的旗帜,象模象样地开进了广州的中国出口商品交易会大厦,对内呼应第二届中国金鸡、百花电影节,对外呼应亚洲艺术博览会和台湾艺术博览会,向中国和世界摆开了正式的市场姿态。
Lively is cobble together. In China, the grand scale of culture and the arts has traditionally led people’s attention to the capital. However, in recent times, culture and art has changed the line, which lively where to go. In the 1990s, the most popular market for China was the market economy while the south was regarded as the largest market in this economy. Therefore, the culture came to the south. As one of China’s art and culture events in 1993, the China Art Fair, carrying a banner of “Cultural Fair” in a bustling manner, opened its doors to the China Export Commodities Fair building in Guangzhou. The 2nd China Golden Rooster and Hundred Flowers Film Festival, echoing the Asian Art Fair and the Taiwan Art Fair, opened a formal market posture to China and the world.