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从1999年末开始,一股“架上艺术死亡论”的阴影席卷了整个中国当代艺术界,当时四川美院有很多艺术家也不可避免地受到了这个氛围的影响。他们相信绘画已不具有前瞻性,且其单一性也使得架上艺术的实验性穷途末路。这种言论直接导致当时装置、摄影及录像艺术等非架上艺术样式的兴盛。而恰是在这个时期,四川美院油画系在1999年经历行政上的合系之后,划出一个实验特区,即造型艺术系综合视觉工作室。开始全面教授非架上的当代艺术实验性教学内容,并在这个阶段邀请了全国知名的批
Since the end of 1999, the shadow of “Death in Art” has swept through the entire Chinese contemporary art scene. At that time, many artists in Sichuan Academy of Fine Arts were inevitably affected by this atmosphere. They believe that painting is not forward-looking, and its unity also makes the experimental end of the art on the shelf. Such remarks led directly to the rise of non-shelved art styles such as installation, photography and video art. And precisely at this period, Sichuan Academy of Fine Arts Oil Painting Department in 1999 under the administrative system, draw a special experimental zone, that is, Department of Visual Arts comprehensive visual studio. Began to fully teach non-frame experimental teaching of contemporary art content, and at this stage invited the well-known national batch