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近两年,“制片人”这个词在中国电视界有了与以往不同的含义。尤其是在电视剧的生产过程中,由于摄制工作的不断社会化,制片人重要的地位和作用已越来越被人们所认识,并正逐渐向着以制片人为核心的创作机制转换。 但在纪录片这一广阔的创作领域中,制片人却是凤毛麟角,还未形成应有的规模和得到应有的认可,这与中国纪录片的新崛起和创作需要不很吻合。 目前,中国的电视纪录片正走向“再度辉煌”。这是因为改革开放后,中国越来越受到世界的瞩目,世界各国对中国悠久的历史、灿烂的文化、飞速发展
In the past two years, the term “producer” has had a different meaning in Chinese television. Especially in the production process of TV dramas, due to the continuous socialization of filming, the important status and role of film producers have been recognized more and more and are gradually shifting towards the creative mechanism with producer as the core. However, in the vast field of documentary creation, the producers are rare and have not yet formed the proper scale and gain the due recognition. This is not in line with the new rise and creation needs of Chinese documentaries. At present, China’s television documentary is moving toward “once again brilliant.” This is because after the reform and opening up, China has drawn more and more attention from the world. All countries in the world have seen the rapid development of China’s long history, brilliant culture and rapid development