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在哲学革命的催化作用下,德国古典文类理论的批判性裹挟文类理论自身平抑纷争的内在诉求,迈上了哲学化转型之路。其中,作为德国古典美学奠基人,康德的文类理论分别立足艺术评价层面的鉴赏力学说或审美判断理论、艺术生产层面的天才学说,实现反文类客观规则的宏观宗旨。康德文类理论以主体的先天立法清除了所有外在性的客观规则所可能引发的理论障碍。从此,文类理论中曾经纷纷扰扰的外在客观规则之争,由德国哲学革命之唯心主义大舵的陡然扭转,开始转向主体性的观照重心。文类理论哲学化也因此一扫曾经以规则为核心的古今之争传统孳生的喧嚣,为文类理论研究注入了令人耳目一新的精神气息。
Under the catalysis of the philosophical revolution, the critical appeal theory of German classical genre theory has itself suppressed the inherent demands of disputes and has taken the road of philosophical transformation. Among them, as the founder of German classical aesthetics, Kant’s genre theory bases on the theory of appreciation of appraisal or the theory of aesthetic judgment of art, and the genius doctrine of art production to realize the objective of anti-class objective. Kant’s genre theory removes the theoretical obstacles that may arise from all the objective rules of externality with the innate legislation of the subject. From then on, the controversy over the external objective rules, once disturbed in genre theory, started with the sudden turn of the idealist rudder of the philosophical revolution in Germany and began to shift its focus of subjectivity. Therefore, the philosophical genre theory has swept away the bustle of the ancient and modern struggles which used to be the rule as the core and infused a refreshing spiritual flavor into the study of genre theory.