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新时期的抗战喜剧撷取偶然、传奇、奇谬、巧合的战争画面,将战争游戏化,在人物塑造上平民化、庸常化、闹剧化,运用戏仿、夸张、讽刺等叙述手法,在意识形态话语中植入了喜剧和娱乐因子,契合当代大众文化的特征。但是,这类创作也要平衡严肃性和娱乐性的关系,警惕媚俗的危险,从文化层面发掘更为丰富的喜剧张力,推动抗战喜剧发展进入更为广阔的空间。
The anti-Japanese comedy of the new era captures images of occasional, legendary, odd and absurd, coincidental war scenes, gamification of the war, popularization of characters, ordinaryization, farce, the use of parody, exaggeration and satire. In ideological discourse, comedies and entertainment factors are embedded in order to meet the characteristics of contemporary popular culture. However, this kind of creation also needs to balance the serious and entertaining relations, guard against the danger of kitsch, unearth a greater abundance of comedy tension from the cultural perspective, and promote the development of the war-resistance comedy into a broader space.