世界艺术文化自古开始就分为中方和西方两大流派,而这两者曾经历过互相轻视、交流学习的阶段,现如今已形成中西方艺术融合发展的总体趋势。但在艺术大潮中,许多中西方的艺术家、文化家开始无法界定两者的区别,甚至出现一味贬低中方艺术,转而推举西方的偏激思想。在此背景下,本文则将从中西方艺术开始走上两条道路为起点,分析其起源与发展,以及中西方艺术融合所带来的社会意义与启示,希望能为中国当代的艺术理论与形式的分析提供思路。 Since ancient times, the world art culture has been divided into two major genres, China and the West. Both have experienced the stage of despising each other and exchanging learning. Nowadays, the overall trend of the integration of Chinese and Western art has emerged. However, in the tide of art, many artists and culturalists in China and the West began to fail to define the difference between the two and even appeared to have belittle the Chinese art in favor of the extreme Western ideas. In this context, this article will start from the start of the two roads of Chinese and Western art, analyze its origin and development, as well as the social significance and enlightenment brought by the fusion of Chinese and Western art, hoping to provide a theoretical basis for the contemporary Chinese art theory and form Analysis provides ideas.