中国书法与中国画与其说象一对孪生姊妹,倒不如说更象一对联体同胞,尽管各自不同,但又紧密相连,密不可分。书画同源,古今谈论此问题者,从最初的象形文字,刻划符号说起,历代已多矣,但这只是问题的一个方面,问题的另一方面是,书画不仅同源,也同归。从使用的工具,材料到所表现的道、理、法、情趣、意等亦莫不相通。书与画有着共同的传统、共同的规律以及共同的艺术底蕴。因此,历史上书画 Chinese calligraphy and Chinese painting are not so much like a twin sister, but rather a paired compatriot who, despite their differences, are closely interlinked and inseparable. From ancient times and ancient times, people who talk about this question from ancient times to the present are hieroglyphs and calligraphic symbols. Although history has been more, this is only one aspect of the problem. On the other hand, painting and calligraphy are not only homologous but also belong to the same origin . From the use of tools, materials to the performance of the road, science, law, taste, meaning and so on are also incompatible. Books and paintings have a common tradition, common law and common artistic heritage. Therefore, the history of painting