2004年春天,我站在伦敦萨其美术馆里死死盯着一条被泡在福尔马林液中的鲨鱼发呆。它一点也不像是死了,相反,它眼神凶狠,仿佛只是为了好玩而暂时将自己定格在某个狩猎的瞬间。于是Damien Hirst这件名为“鲨鱼”的装置作品在我这个观众身上获得了成功,它的副标题是:“生者无法体会到死亡。” In the spring of 2004, I stood staring at a shark infused in formalin in the Saq Art Museum in London. It is not at all dead, on the contrary, it looks fierce, as if just for fun and temporarily freeze themselves in a hunting moment. Damien Hirst’s device, titled “Shark,” was thus succeeded by my audience, whose subtitle was: “The living can not feel the death.”