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何谓“刑事剧”?就是我们通常所说的“刑警剧”。刑事剧曾在二十世纪七、八十年代席卷全日本,当时的荧屏上除了传统的时代剧,几乎都是枪林弹雨的警匪片。不过,八十年代中后期,随着《男女七人夏天的故事》开偶像剧先河后,刑事剧便渐渐销声匿迹,1991年的《东京爱情故事》更是使日剧主流完全朝纯爱戏路倾斜。这种局面直到《古畑任三郎》和《跳跃大搜索线》的出现才得以扭转。近几年,随着《继续》、《HERO》,《菜鸟刑警》等相继成为兼具口碑和票房的双辣之作,日剧圈又开始猛吹“刑事风”,像目前正在播出的第四季度新日剧里,就一下出炉了《DOUBLE SCORE》(反町隆史和押尾学)、《Remote》(堂本光一和深田恭子)、《警花逮捕令》(原沙知绘)三部主打刑事剧。这一期,我们就来说说刑警类日剧的起源和发展。
What is “criminal drama”? This is what we usually call “criminal drama.” Criminal drama was swept across Japan in the 1970s and 1980s. At that time, in addition to the traditional period drama, almost all of them were guerrilla warheads. However, in the mid-to-late 1980s, the criminal drama gradually disappeared as the idol drama “Summer of Men and Women's Seven” kicked off. In 1991, the “Tokyo Love Story” made the mainstream of Japanese TV drama completely tilt toward Pure Love. This situation did not change until the appearance of “Kurashiro Ren Saburo” and “Big Jumping Search Line.” In recent years, as “continue”, “HERO”, “rookie police” and so on have both become word of mouth and the box office spicy, Japanese drama circles began to blow “criminal wind”, as is currently broadcast In the fourth quarter of the year, the three major criminal operas of “DOUBLE SCORE” (Sorimachi Long and Oshinology), “Remote” (Kyoko Domoto and Fukuda Fukuda), and “War Crimes Arrest” (former Saraki Paint) were released. This period, we will talk about the origin and development of Interpol-based Japanese TV series.