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对于伟大的摄影作品,重要的是情深,而不是景深。——皮特·亚当斯(PeterAdams)上个月,一场名为《八十年代多余的底片》的摄影展览在北京龙影廊展出。这是一次十分特殊的展览,内容既非新锐之作,亦非经典回顾,而是一批之前从未正式展出过的记录上世纪八十年代北京摄影人面貌及作品的照片。这些照片均拍摄于二十多年前,是解海龙、崔新华、贺延光、刘占坤、李建军、王文澜、徐勇、张左、郭广林等摄影家在自己尘封多年的底片中整理挖掘
For great photography, what matters is affection, not depth of field. - Peter Adams Last month, a photographic exhibition entitled “The Negative Film of the Eighties” was shown at the Dragon Gallery in Beijing. This is a very special exhibition. It is neither a cutting-edge nor a classic review. It is a collection of photos of Beijing photographers who have never before seen formally written records of Beijing photographers in the 1980s. These photos were taken more than 20 years ago and were collected by filmmakers Xie Hailong, Cui Xinhua, He Yanuang, Liu Zhankun, Li Jianjun, Wang Wenlan, Xu Yong, Zhang Zuo and Guo Guanglin in their dusty films