在何家英看来,工笔和写意都是手段,二者相辅相成,相得益彰。工笔可以描摹得比较深入细致,写意可以发挥得更加舒展随性。而写意本身就是从工笔发展而来的,追溯到元代,当时的写意画就很工整,不过在工笔的基础上增加了更多的灵性和体悟。所以,只有具备了二者的技巧,才能成为一个完整的中国画家。 In He Jiaying’s opinion, the fine brushwork and the freehand brushwork are all means, which complement each other and complement each other. Meticulous can be traced to more in-depth and meticulous, freehand brushwork can play more stretchy with nature. The freehand brushwork itself is developed from the meticulous, dating back to the Yuan Dynasty, then the freehand brushwork is very neat, but in addition to the style of work to add more spirituality and understanding. Therefore, only having the skills of the two can become a complete Chinese painter.