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2011年播出至今已有五季的美国电视剧《格林》以其瑰丽的想象和庞大而梦幻的世界吸引着观众,其将《格林童话》所述的历史、主体意义和真理被重新解读。在后现代语境之下,《格林童话》中经典“神怪”形象在《格林》中被重新解读,童话寓言置换为现实世界与童话世界的重叠,美好的寓言被解构为不同物种间对抗和冲突的历史。格林不再是一个叙述者和记录者,成为了人类世界的保卫者以及与格林生物的监督者和执法者。绝对的善恶美丑被格林生物的个性和人性所消解,善恶的模糊、正义与邪恶的模糊,对传统的“神怪”形象进行颠覆和反思。然而,这样的颠覆和再解读以及对自我的怀疑和否定有着其过于偏激的一面,但也促使我们更深刻和清醒的认识我们本身,在另一种角度来说是对自身的反省和深思。
In 2011, the five-season American TV series “Green” has aroused the audience with its magnificent imagination and a huge and dreamy world. It re-interprets the history, the main points and the truths stated in “Green Fairy Tales”. In the context of postmodernism, the classic “gods” image in “Green’s Fairy Tale” is reinterpreted in “Green”, the fairy tale fable is replaced by the overlap between the real world and the fairy tale world, and the beautiful fable is deconstructed into different species The history of confrontation and conflict. Green is no longer a narrator and recorder, but a defender of the human world and a supervisor and enforcer of the Greens. Absolute beauty and ugliness of good, evil, beauty and ugliness are resolved by the personality and human nature of Green creatures, the vagueness of good and evil, the vagueness of justice and evil, and the subversion and reflection on the traditional image of “gods and gods.” However, such subversive and re-interpretations and their self-doubt and negation have their extreme side. However, they also urge us to understand ourselves more profoundly and clearly, and on the other hand reflect and reflect on ourselves.