“到了现在,已没有大家公认的音乐语言规范,每个人都”到必须找到属于他自己的路。“~②20世纪的很多作曲家都可以被归入这样或那样的音乐流派,他们的音乐创作在美学层面上也大多可以打上某种”主义“的标签。可如果我们想对里盖蒂也做这样一番尝试的话(除了他的早期音乐创作),那么结果将会是令人感到困惑的。这是因为:里盖蒂”不喜欢作为一个小圈子的成员“~③,他从来都是”我行我素“~④。当斯托克豪森和凯奇成为引导潮流 ”Nowadays, there is no universally accepted musical language specification, and everyone has to find his own way. Many composers in the 20th century can be classified as one or more music genres, and most of their musical compositions can be marked with a kind of “” doctrine at the aesthetic level. When Tati also tried (except for his early music), the result would be puzzling because: Riggetti “does not like being a member of a small circle” He has always been “go its own way ” ~ ④. When Storkhausen and Cage became the guiding trend