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危机渗透到社会的各个领域。艺术世界也不例外:市场危机、创作危机兼而有之。人们纷纷议论:现在不如从前啦、黄金时代去而不复返啦,等等。画家和老板们也不得不承认:六十年代末至七十年代初(即至1973年)是个创作和市场都很兴盛的“财源时期”,当时,什么样的作品都能畅销无阻。艺术评论家们对于这一阶段真是难以忘怀;那时,一个先进的艺术流派总是和另一个衔接在一起,此起彼伏,澎湃不已。然而,此后,则开始了以某种流派的追随者或是贪天功为己
The crisis infiltrates every area of society. The art world is no exception: the market crisis, creative crisis both. People have talked about: now not as good as before, the golden age gone, and so on. Painters and bosses also have to admit that during the late 1960s and early 1970s (and even in 1973) a period of “wealth and resources” where both creation and markets flourished. It is unforgettable for art critics at this stage; at that time, an advanced art genre always connects with another one after another, surging. However, since then, it began as a follower of some genre or as one’s own