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中国山水画与中国文化的发展可以说是不可分割的,传统文化中的儒释道思想深深地影响着各领域文化的延伸与传承及其特色的形成。佛家的南北宗论与董其昌的论画南北宗也有着借鉴与渗透。那么对中国山水画的笔与墨的论述也早已明确了它更深远的文化内涵,它的关键点就是中国画的独特的表达形式。我和艾国师兄就以笔墨山河为名,在艺术创作发展的道路上互相支撑鼓励,既明晰了我们对中国山水画本质的追求,又体现了我们师法自然的艺术之路。相信我们在学习的道路上一定会创造出好的作品。从2013年6月28日开始,我们开始了写生的旅程,先到了伊春市的铁力市(也叫小兴安岭),在好友的支持安排下,深入到了中国北部的
The development of Chinese landscape painting and Chinese culture can be said to be inseparable. The Confucianism, Buddhism and Taoism in traditional culture deeply influence the extension and inheritance of culture in various fields and the formation of its features. Buddhism’s theory of the South and the South and Dong Qichang’s theory of the North and South Zong also have reference and infiltration. Then the discussion of the brush and ink of Chinese landscape painting has long defined its more profound cultural connotation. The key point of it is the unique expression of Chinese painting. In the name of pen and ink mountains and rivers, I, Ai Ziguang, supported and encouraged each other on the road of artistic creation and development. It not only clarified our pursuit of the essence of Chinese landscape painting, but also embodies the artistry of nature of our teacher-training. Believe us in the study of the road will create a good work. Starting from June 28, 2013, we started the journey of sketching, first to Tieli City (also called Xiaoxinganling) in Yichun City, and with the support of our friends, we went deep into the northern part of China