论文部分内容阅读
笔者的创作.在内容上由台湾当地背景为多元文化为内涵.以综合媒材的并陈与融合为技法,形式上以意象组构的手法、水印木版肌理为画作主要形式与骨架,来呈现当代水墨画创作中,自然生态与人文关怀及多元文化共融的议题.以百啭千声随意移之观念作为鸟类自由置放及媒材形式多面相的思考。融合台湾本土物种之“真”与自然环境之“美”.以多元文化为出发点,结合台湾人文景观,民俗文化及部落艺术,在创作的过程中.融人民俗生活符号.实践艺术与生活的
The content is composed of the local background of Taiwan as a multicultural connotation.Taking the integration of media and the integration as a technique, the author takes the form of image composition and watermark woodblock texture as the main form and skeleton of painting Contemporary Ink Painting, Natural Ecology and Humane Care and Multi-cultural Inclusion, with One Hundred Thousands of Thousands Feel free to Move Ideas as a Free-range Bird and Multi-media Considerations. Integration of Taiwanese native species with “true” and “natural beauty” of the natural environment. Starting from multiculturalism, combining with the cultural landscape of Taiwan, folk culture and tribal arts, we integrate the symbols of folk life into practice. Art and life