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从《天云山传奇》到《牧马人》;从《高山下的花环》到《芙蓉镇》,谢晋在其悲剧审美意识上始终未能逃脱出“善与恶”、“美与丑”的“大峡谷”;在其叙事结构上也多采用纪实性的“线性”结构。这已被人们称之为“谢晋模式”。然而谢晋毕竟是一位举世公认的大导演,他以其雄厚的艺术经验与灼热的艺术追求勇敢地迈出了自我突破的步伐。他的新作《最
From “Legend of Tianyun Mountain” to “Wrangler”; from “Garland Under the Mountain” to “Hibiscus Town”, Xie Jin failed to escape from the aesthetic consciousness of his tragedy from the “good and evil”, “beauty and ugliness” Grand Canyon “; in its narrative structure, it also uses more documentary” linear “structures. This has been called ”Xie Jin model.“ However, after all, Xie Jin is a universally recognized director, who, with his rich artistic experience and hot pursuit of art, has taken the courageous step toward self-breakthrough. His new book ”the most