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苏珊-诺莉·帕克斯在小说《奔向母亲的墓地》里,将戏剧元素导入小说创作,从三个方面发展了黑人小说的传统叙事手法。她采用多重视角和叙述声音,为读者能动参与到“百衲被”叙述过程中来提供了契机。她以双程叙事代替传统的单程叙事,开辟了路途小说叙事的新途径。她把意识流片段和灵异提示设计为小说情节演绎的画外音,使平面的小说叙述产生了立体效果,使作者和读者在文学创作与艺术欣赏的双边互动中达到了完美的结合。
Susan Nuorie Parkes in the novel “Toward the mother’s cemetery”, the dramatic elements into the novel creation, developed from three aspects of the traditional novels narrative techniques. She uses multiple perspectives and narrative voices to provide an opportunity for readers to participate actively in the narration process. She replaces the traditional one-way narration with the two-way narrative and opens up a new way of narrating the journey novels. She designed the episode of stream of consciousness and the supernatural reminder as the voice-over of the novel to make the planar novel narrate a three-dimensional effect and make the author and the reader achieve the perfect combination in the bilateral interaction of literary creation and artistic appreciation.