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电影《喜宴》让我们看到了中西文化碰撞背景下主人公想要获得身份认同却被不断边缘化的困境。这种身份困境既来自于外部认同的失败,也来自于自我认同的错位。在认同失败的现实下,李安导演对影片结局采用了中庸式的“圆满”处理,用各退一步的方法为问题的解决给出了一个临时的答案。这样的结局处理是李安为边缘身份寻求认同平衡点的一种尝试,也是他对现实无可奈何的一种表达。
The movie “The Wedding Banquet” shows us the dilemma that the hero wants to gain identity and is constantly marginalized under the collision of Chinese and Western cultures. This identity dilemma comes not only from the failure of external identity, but also from the dislocation of self-identity. In the reality of the failure of approval, the director Angan adopted a mediocre “successful” treatment of the ending of the film and gave a temporary answer to the solution of the problem with each step-by-step approach. Such an outcome is an attempt by Ang Lee to seek a balance between identity and marginalization and an expression of his helplessness to reality.