陶渊明的《饮酒》(其五)因其表现的“无我之境”成为中国文学的杰作,作品的“无我之境”集中体现为“见”字的使用,苏轼于此有“发明”之功。苏轼改造陶诗实质是一种自我作古,目的是树立新的诗学理想和诗学典范。围绕此诗“望”“见”之优劣,南山之所指的学术公案蕴含了若干重要的文学理论问题,如诗史互证的有效性、伟大诗人的影响焦虑等。 Tao Yuanming’s “Drinking Wine” (Part 5) has become a masterpiece of Chinese literature because of its performance of “No Realm of Myself”. The “No Realm of My Self” embodied in the works is the use of the word “See”. Su Shi In this there “invention ” power. The essence of Tao Shi ’s transformation of Tao Shi is a kind of self - reliance, aiming at establishing a new ideal of poetry and a poetic model. Around the pros and cons of this poem “Wang ” “See ”, Nanshan refers to the academic case contains a number of important literary theory issues, such as the validity of mutual evidence of the history of poetry, the anxiety of the great poet and so on.