中国的民族民间音乐,注重旋律性的起伏中的线条美,它与国画中的勾线顿挫、飘逸和书法中的运笔气势、韵律等相同;都是追求线条起伏的艺术美。在音乐中,这起伏线条中的节奏急缓长短的变化,就构成了乐音之间的润韵行腔,表达出不同的感情,产生了音乐的感人的魅力。地方戏曲音乐更是注重这润韵行腔,再加以不同的地域语言,就形成了它特有的音调(乐汇),突出了不同剧种的不同音乐特色。所以在我省近四十余午的戏曲音乐创作中,人们多把注意力放在曲调线条上的设计。戏曲的表演程式基 Chinese national folk music pays attention to the beauty of the lines in the melodic ups and downs. It is the same as that of the lines in calligraphy and calligraphy in the traditional Chinese painting. In music, the ups and downs of the rhythm of the rapid changes in the short and long lines, constitute the rhythm of music between the lines, expressing different feelings, resulting in the touching charm of music. Local opera music pays more attention to this rhythmic line, and when it comes to different regional languages, it forms its unique tone (Lehui), highlighting the different musical features of different operas. So in our province nearly forty years of opera music, people pay more attention to the design of melody lines. Opera performance program base