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在视觉艺术创作中,对“瞬间”的描绘由来已久,从远古时代的原始人洞壁上的绘画,我们就可以从中看到人类喜欢观察事物瞬间的变化,渴望记录住瞬间的原始冲动。当人类发明了摄影机之后,人们的这种渴望就更加容易实现,并且得以释放。这种以运动、速度、轨迹为题材的作品为何能引起观众的审美愉悦并受到大众的喜爱,以及众多著名艺术家都不约而同地去研究、运用这一创作主题与手法呢?在本文中,我们试图探讨这个关于人类审美冲动的问题,从中挖掘视觉艺术创作中“瞬间”的实质,并尝试探索在这种“瞬间”在视觉艺术领域的延展与应用。
In the creation of visual art, the description of “Moments ” has a long history. From the paintings on primitive walls of ancient times, we can see that human beings like to observe the changes in the moment and desire to record the original moment impulse. When humans invented the camera, people’s desire to be more easily achieved, and to be released. Why does this kind of work based on movement, speed and trajectory lead to the audience’s aesthetic pleasure and public favorite, and many famous artists are invariably studying and using this creative theme and technique? In this article, we try Explore the issue of the impulse of human esthetics, dig out the essence of the “moment” in visual art creation and try to explore the extension and application of this “moment” in the field of visual art.