作为这个星球上建筑群中最大的组成部分,住宅是我们日常生活的世俗背景。其中大部分不能被称作“经过设计”,它们只不过是按照已经被证实的构造方式和建筑形式生产出来的罢了。旧时的方式和形式,随着时间沉淀在地方性的传统泥潭中;而现在地方性传统又被文化和经济驱动下的美学逐渐取代。住宅是一个与财产紧密相关的概念,同时还是社会传统和理想的载体。在任伺时期,实验性住宅所占的比例都是相当的小,其原因正是在于住宅的这种将基本文化价值物化的功能。现代工业社会的文化是各种文化遗存的拼合,并饰上了庄严的外衣。此刻,建筑需要被剖析解读,才能看见其本质的无知和天真。实验性住宅不应被局限于临时性住宅和社会福利住宅的狭小范围。实验,是验证假设的活动——不是凭 As the largest component of the planet’s buildings, dwellings are a secular backdrop to our daily lives. Most of them can not be called “designed”, they are just produced in accordance with the proven construction methods and architectural forms. The old ways and forms, settling in the local traditional quagmire over time, are now being replaced by cultural and economic aesthetics. Residential is a property-related notion that is also a carrier of social traditions and ideals. During any period of service, the proportion of experimental dwellings is quite small, precisely because of the residential nature of the materialization of the basic cultural values. The culture of modern industrial society is a combination of various cultural relics and is decorated with a solemn coat. At the moment, the building needs to be analyzed and interpreted in order to see its essence of ignorance and innocence. Experimental housing should not be confined to the narrow range of temporary housing and social welfare housing. Experiments are activities that verify hypotheses - not by virtue