论文部分内容阅读
引言:20世纪80年代以来,中国戏剧正经历着千年未有的变局。古典戏剧因为进入“非遗”而改变了传统的身份,中国式的近代型戏剧形式已经用尽,应有的各个发展阶段由于不健全的写实方法无力走完而陷于狭隘、单一的境地;现时期剧种的持续衰老和解体与剧目生产无序化的沼泽状态困扰着戏剧界,与之相应的戏剧评价标准及其体系化的建构长期缺失,客观上阻碍了戏剧的创造和发展。历史给当代中国戏剧提供的是危机与变革并存的转圜契机。为此,本人提出以古典剧作或剧目为遗产———“改本”为中心———创造新的戏剧形态为目的的戏剧建设基本结构设计和布局,其根本指向是重建再造中国戏剧,实现中国戏剧的现代性。
Introduction: Since the 1980s, Chinese drama is experiencing a thousand years of change. Classical Chinese drama has changed its traditional identity by entering “non-survivor”. The Chinese-style modern drama has been exhausted. The various stages of development are trapped in a narrow and unimportant situation due to the inability to walk through unsound realistic methods The continuous aging and disintegration of the current period drama and the disordered marsh status of the repertoire plagued the theater industry. The long-term absence of the evaluation criterion of the drama and its systematic construction obstructed the creation and development of the drama objectively. History provides contemporary Chinese drama with the turning point in the coexistence of crisis and change. To this end, I propose to design and layout the basic structure of the theater for the purpose of creating a new theater form, with the classical drama or repertory as its base --- the “Reproduction”, whose fundamental point is to rebuild and rebuild China Drama, realize the modernity of Chinese drama.