魏新河是20世纪60年代后期出生的一位青年词人,现为空军特级飞行员、飞行教官。最近他把二十年来所写的词结集成《秋扇词》出版。其中写他飞行题材的词十八首为一辑,名之曰《鹤背吹箫》,从数量上讲这一辑是全集中的一小部分,但从质量上讲这无疑是他的作品中乃至当今词坛上最重要的一部分。新旧诗之争已近一个世纪,而近年颇为激烈。实际上诗的新旧主要不在形式。语言词汇、平仄格律是诗的有机部分,但不是本质所在,而意境与感情才是最关键的,意境与感情不新则“新” Wei Xinhe was a young Ci poet born in the late 1960s and is now an Air Force super pilot and flight instructor. Recently, he put the words written in the past two decades into the “autumn fan” published. One of the eighteen essays he wrote about his flying theme is a series entitled “Crane Blowing Flute,” which is a small part of the complete works in terms of quantity, but this is undoubtedly his work in terms of quality In today’s most important part of the word altar. The dispute between new and old poems has been going on for nearly a century, but in recent years it has been quite fierce. In fact, the old and the new poetry is not the main form. Linguistic vocabulary and flat style are the organic parts of the poem, but they are not the essence, but the artistic conception and the feeling are the most crucial. The artistic conception and the feeling are not new but the “new”