我认为,人物造型严谨且带有写实性质的中国画是年轻人的事,上了年岁的人的画应该更自我、更自由、更直率一些。时下,有不少中老年人物画家,画着费力却依然“坚持”。画的人苦恼,看的人疲劳。当然,知道苦恼,已是幸事,处于麻木无知且乐此不疲状态下的却不在少数。自己画的怡情养性,别人看着兴趣盎然。说来容易,做起来非大智慧、大才情甚至大彻大悟不可,也实在很是无奈。画瓷是传统,中国画从来就是瓷画的典范,清康熙五彩便是追求水墨的韵味。素白的瓷胎就是宣纸,水墨便是钴料。画瓷除名家外,更有民间画工绘制。韩羽先生也画瓷了,玩儿的成分更多些,依然是人物画小品,有“味道”。画中人物举手投足间有一种亲近人的真趣,不为内容所累, I think Chinese characters with realistic characters and realism are young people’s things. People who are older should draw more, more freely and more forthrightly. Nowadays, there are many middle-aged and old painters, painterly but still “insist”. Painted people distressed, watching people tired. Of course, knowing distress is already a blessing, but in a state of ignorance and indifference, it is not uncommon. Own painting sensibility, others looked interested. Easy to say, to do great non-great wisdom, big talented even big thorough understanding, it is really helpless. Painting porcelain is traditional, Chinese painting has always been a model of porcelain painting, Qing Kangxi colorful is the pursuit of ink charm. Plain white porcelain is rice paper, ink is cobalt material. In addition to painting porcelain, but also drawing of folk artists. Mr. Han Yu also painted porcelain, play more of the composition, still is the figure sketch, “taste ”. In the paintings, there is a real interest in getting close to people by gestures, not for the contents of the tired,