在中国画的发展历史中,“似与不似”这个问题一直以来是历代艺术家谈论的热点,由于它的抽象性与不确定因素,历代画论中多有涉及,但也有一定的片面性和局限性。首先,我们从中国传统艺术的审美观念出发来探讨这个问题。在长期的艺术审美实践中,古人积累了丰富的艺术审美经验,深化了对艺术审美活动的认 In the history of the development of Chinese painting, the issue of “similarity and dissimilarity” has long been a hot topic of discussion among artists of all ages. Due to its abstraction and uncertainty, there are many aspects involved in drawing theory of ancient China, but there is also some unilateralism limitation. First of all, we start from the aesthetic concept of traditional Chinese art to explore this issue. In the long-term aesthetic practice of art, the ancients accumulated a wealth of artistic aesthetic experience and deepened the recognition of artistic aesthetic activities