庞茂琨的作品如同一扇动态视窗,不同版本的图像纷至撞击人们的视觉神经。如同烹饪,不同菜品自有不同的用料火候配方,不同的对象,也当有相应的处理手段。譬如对彝女与汉女,生存环境加遗传惯性再加文化背景及族性,二者都有着惊天差异。这种差异的外露部分与内存部分,都是艺术家“操作”的极好资源。显然,庞先生对资源的处置心得丰富。色粉方式对高原的酷烈对象有一种寓言对应暗示,也有一种精神物化表意合拍。而铅笔,是艺术推进这么多年头里,从未被否定的恰当工具。由于在 Pang Maokun works like a dynamic window, different versions of the image of the impact of people’s visual nerve. As cooking, different dishes of different materials have their own recipe, different objects, but also when the corresponding treatment. For example, for Yi nationality and Han nationality, living environment plus genetic inertia plus cultural background and ethnicity, both have astonishing differences. The difference between the exposed part and the memory part is an excellent resource for artist “operation ”. Obviously, Mr. Pang has abundant experience in resource disposal. Toner way on the plateau intense object there is a allegory corresponding implies, there is also a spiritual materialized ideological co-shot. Pencils, on the other hand, are the right tools for the advancement of the arts for so many years and have never been denied. Because of