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近年来,国内学术界对形象思维的讨论,日渐深入。不过,对感情因素在形象思维过程中的作用问题,一直尚未受人注意。但,这却是个非常值得深入探讨的问题。关于感情因素和形象思维的关系,这里有两个例子值得我们深入分析。一个是据说当年列宁同志曾参观一次画展,当他走到一幅肖象画前面时,画的作者征求他的意见,列宁同志说:画得不错,但是不能算是杰作,因为这里面没有你本人。(大意如此)另一个例子是达·芬奇的杰作《蒙娜丽莎》完成后,他的同时代的艺术评论家瓦萨利曾评论这幅画说:芬奇所画的蒙娜丽莎比蒙娜丽莎本人还真实,还更为神似。因为《蒙娜丽莎》里面有芬奇,而芬奇里面有《蒙娜丽莎》。《蒙娜
In recent years, the domestic academic discussion on the thinking of the image is deepening. However, the role of emotional factors in the process of image thinking has not been noticed. However, this is a question that deserves further discussion. There are two examples that deserve our in-depth analysis of the relationship between emotional and visual thinking. One is that Comrade Lenin was said to have visited an art exhibition at that time. When he came to the front of a portraiture, the author of the painting sought his advice. Comrade Lenin said: Painting is not bad, but it can not be considered a masterpiece because it is not yours . Another example is the completion of Leonardo da Vinci’s masterpiece Mona Lisa, whose contemporary art critic Vasari comments on the painting: Beamina Lisa himself is still true, but also more similar. Because “Mona Lisa” there are Finch, and Finch inside “Mona Lisa.” Mona