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鲁迅的戏曲论并非是从理论上探讨戏曲文本和舞台表演在内容和艺术上的得失,而是从文化批判立场出发、通过戏曲作品与舞台表演所反映出的问题而对历史与现实以及未来进行的深刻思考;作为传统文化重要载体的传统戏曲,是文艺“瞒和骗”的一个样板,最终目的是为了维护统治者的政治需要而粉饰现实之缺陷,鲁迅有关论述揭示了中国戏曲代表的传统文艺突出的弊端。
The theory of drama of Lu Xun does not discuss the content and the artistic gains and losses of opera texts and stage performances in theory, but from the standpoints of cultural criticism, through history and reality as well as the future through the issues reflected in drama works and stage performances The traditional opera as an important carrier of traditional culture is a model for literature and art “concealment and cheating ”. The ultimate goal is to defeat the defects of the reality in order to safeguard the political needs of the rulers. Lu Xun’s discourse reveals the representative of the Chinese opera The traditional literature and art salient drawbacks.