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绘画中的形式要素及其组织手法和结构方式构成了绘画语言。而如何运用这些形式要素来塑造形象,这不仅仅是技术层面的问题,更多的会受到创作主体的情感、经验、思想等精神内核的牵制。因此在涉及对画家绘画语言的理解时,既要探讨形式,也要在形式塑造出来的形象以及形象所体现的形而上意蕴等多个层面进行推敲阐释。按照德国哲学家、美学家阿多诺的定义,形式是艺术作品中全部的逻辑要素。这一定义鲜明地指出了形式对于艺术作品无可撼动的核心意义。正因为如
The form elements in the painting and the methods of organization and structure form the language of painting. How to use these form elements to shape the image is not only a technical problem, but also an inner constraint of the author’s emotion, experience and thought. Therefore, when it comes to comprehension of the artist’s painting language, it is necessary to explore the form as well as exaggerate and explain the image that the form creates and the metaphysical meaning embodied in the image. According to the definition of Adorno, a German philosopher and esthetician, form is the logical element of all works of art. This definition clearly points out the core meaning of the form that is unshakable to the work of art. Just because of it