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诗人皮埃尔·西格尔斯(Pierre Seghers)在他发表的《法国现代诗歌精华》(1969)一文中深感到诗人的孤独:当今诗人所获得的读者甚少。在现代掩埋在文化沙漠上的各种尘嚣之中。更糟的是,在其本质和使命上,它都受到了冲击。第一流的翻译家罗杰·塞洛斯(Roger Caillois)在一篇题为《诗歌的重要性》的文章中分析了诗人从歌言者到欺骗的演变过程。安弗宁·阿·佛德(Anfonin Ar fand)对于诗歌手法的质量表示极端怀疑。文雅而又自尊的诗人,如弗朗西斯·庞格(Francis Ponge)虽然尊崇自己的语言,但并不是无条件的。《小牧场》一诗的作者一九七四年
Poet Pierre Seghers deeply feels poet’s loneliness in his article “The Essence of French Modern Poetry” (1969): Today’s poets receive very few readers. In the modern buried in the cultural desert among the various hubbub. What’s worse, it has been hit by both its essence and its mission. The first-rate translator Roger Caillois analyzed the evolution of poets from songwriters to deception in an article entitled “The Importance of Poetry.” Anfonin Arfand is extremely skeptical about the quality of poetry. Elegant and self-respecting poets such as Francis Ponge, while honoring their own language, are not unconditional. The author of a poem of “Paddock” in 1974