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在苏联钢琴音乐作品中具有鲜明个性和占重要地位的应该说是德米特里·肖斯塔柯维奇(1906—1975)的创作。肖斯塔柯维奇是一位对现代性颇有兴趣和对不同音乐方面非常锐敏的艺术家,在陆离多采的生活激流中,他洞察视野形成了明朗的和暗淡的音调。他相信我们时代进步的力量,最先进的人道主义思想以及为实现这些目标而斗争的价值,同时,他极端尖锐地“外露的敏感”来理解生活中的恶、暴力、残酷、同时他也不能容许狭隘、庸俗、市侩气的愚蠢,所有这些产生了一种炽烈的抗议的情感并找到了相应的创作反映形式。
It is Dmitry Shostakovich’s (1906-1975) creation, which has a distinct personality and an important position in Soviet piano music. Shostakovich, an artist intrigued by modernity and very keenly aware of different musical aspects, made his vision clear and dull in the turbulent stream of life. He believes in the power of our time for progress, the most advanced humanitarian ideals and the value of the struggle to achieve them, and at the same time, he is extremely sharply “exposed and sensitive” to understand evil, violence and cruelty in life, and he can not Allow narrow, vulgar, foul stupidity, all of these have a blazing protest emotions and found the corresponding form of creative reflection.