进入信息社会,艺术批评史上那些我们尊崇的批评家:克罗齐、温克尔曼、丹纳、罗斯金、波德莱尔、克莱夫·贝尔、罗杰·弗莱已是昨日经典。批评的黄金时代已经结束。批评之后的时代具有虚拟、开放、自由、平等的属性,但同时我们也习惯了忍受价值的丧失,习惯于各种焦虑不安,并不再接受约束。随着信息的加速,不确定和煽情成了司空见惯之事。媒体语言、文化语言及批评语言向着日常用语不断靠近。人们从网络交流中获得的除了现实本身.还有面对现实所产生的眩晕。这就是我们遭遇的信息社会的文化逻辑——选择太多、信息太多、狂欢式的热情。在传统媒介主导信息的时代,报纸、杂志、广播、电视一直统治着信息的传播, Into the information society, art criticism of those critics in our history: Croce, Winkelman, Danner, Roskin, Baudelaire, Clive Bell, Roger Fry is a classic yesterday. The golden age of criticism is over. The era after criticism has virtual, open, free and equal attributes. At the same time, however, we are accustomed to enduring the loss of value, getting used to all kinds of anxiety and no longer being bound. As information accelerates, uncertainty and sensation become commonplace. Media languages, cultural languages ​​and critical language are moving toward everyday language. In addition to the reality that people get from the Internet, there is also the dizziness of facing the reality. This is the cultural logic of the information society we encounter - too much choice, too much information, or carnival enthusiasm. In the era of traditional media-led information, newspapers, magazines, radio and television have dominated the dissemination of information,