从《诗经》到《楚辞》,从《古诗十九首》到《唐诗三百首》,从屈原到陶潜,从谢灵运到张若虚,从苏轼到夏完淳,从柳三变到查慎行,中国的文学,特别是中国的诗词,通常是液态的。它由三种液体构成：水——泪——酒。“柔情似水,佳期如梦,忍顾鹊桥归路”。从此,人们总倾向于用水来喻柔情。其实,水不仅有柔的状态,还有宁静和澎湃。柔情的水,总是承载着文人们的脆弱和感伤。李后主的“问君能有几多愁,恰似一江春水向东流”,将无尽的愁绪化为绵绵不绝 From “The Book of Songs” to “The Song of Songs”, from “19 Ancient Poems” to “300 Poems of the Tang Dynasty”, from Qu Yuan to Tao Qian, from Xie Lingyun to Zhang Ruoxu, from Su Shi to Xia Cangxi, from Liu San to Cha Shen Xing, China Literature, especially Chinese poetry, is usually liquid. It consists of three liquids: water - tears - wine. “The tenderness is like water, the best period is a dream, and you can go back to the bridge to return to your hometown.” Since then, people have always preferred to use water to describe tenderness. In fact, water not only has a soft state, but also peace and tranquility. Tender water always carries the fragility and sentiment of the writers. Li Houzhu’s “Ask how much you can have, like a river flowing eastwards”, endlessly lingering endlessly.