“萧条淡泊,此难画之意,画者得之,贤者未必识也。故飞走迟速,意近之物易见,而闲和严静,趣远之心难形”。欧阳修在《鉴画》中指出萧条淡泊、闲和严静趣远之心,这是中国山水画之极谊,也是欧阳修所提倡的古文之极谊。“萧条淡泊”植根于一种恬淡,把对于世情的关心隐藏起来的心理,它反映的是在封建集权的社会背景中,文人士大夫这一特定文化群体的人文心理。尤其是在唐代文人画被提出后,宋元明清文人画日渐成为中国绘画的 “Depression indifferent, this difficult to draw the meaning of the painter, the sage may not know also. So flies away quickly, meaning close to the easy to see, and leisure and quiet, the heart of fun far”. Ouyang Xiu pointed out in the “Kam Painting” that the depression is indifferent, the center of leisure and quietness is the great friendship between Chinese landscape painting and the great friendship advocated by Ouyang Xiu. “Depression indifferent ” is rooted in a tranquil, the psychological hidden feelings of concern for the world, it reflects the cultural background of feudal centralized power in the social context, literati and physician this particular cultural group of human psychology. Especially after the literati paintings of the Tang Dynasty were put forward, literati paintings in the Ming and Qing dynasties became increasingly Chinese paintings