近来读俞平伯先生的《燕知草》,有朱自清先生做的序言,开篇就说,“想当年”一例是要有多少感慨和惋惜的,这点和很多写作者对于“想当年”的一往情深是一致的。面对错落隐现的过去,我们也时常会发出“而今陌上花开日,应有将雏旧燕知”的怅惘之声。但问题是,如果一个散文作家一旦习惯总往时间的后面看,沉浸在其中不能自拔,这终归不是一件好事情。原因很简单,作为散文家,一眼望去,总盯着死去的人和过去的事,自然地,对于当下的漠视肯定会成正比地增长,风月无边话当年的气息能充溢 Recently read Mr. Yu Pingbo’s “Yan Zhi Cao,” a preface made by Mr. Zhu Ziqing, the opening said, “want to be the year” is an example of how many feelings and regrets, and many writers for The passion is the same. In the face of the patchwork of the past, we often issue “” Nowadays, there is a feeling of disappointment that the old Yan will be known. " The problem, however, is that if an essayist gets used to the time behind it, immersed in it, it is not a good thing. The reason is very simple, as an essayist, glanced at, always staring at the dead and the past, naturally, for the moment of indifference will certainly increase in direct proportion to the feng shui boundless then full of flavor