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翦柏赞我看了上海越剧院演出的《則天皇帝》。在这出戏中,我高兴地看到一个长期被歪曲了的杰出的历史人物、中国史上唯一无二的女皇武則天,以被肯定的正面人物形象出現于舞台。这出戏的目的很明确,是替武則天翻案,主題思想是反对賤視妇女的封建正統主义。分节也很恰当,七幕戏演出了五十年的历史。表演艺术也很好,扮演武則天的王文娟同志很深刻地表現了武則天在她一生中的每一个时代的思想感情。总起来說,这出戏的編写和演出基本上是成功的。当然,如果对一个历史剧提出严格的要求,这出戏也还有美中不足的地方。現在我想談談我认为是不足的地方。第一,武則天在历史上所起的主要作用,沒有反映。照我的看法,武則天之所以是一个杰出的历史人物,不仅因为她善于利用她的美貌和机智,把自己从一个被放逐到寺庙的卑賤宮女逐步提升到昭仪、皇后、
Zibo praised me for watching the “Emperor of the Day” performed by Shanghai Yue Theater. In this play, I am pleased to see a long-distorted and outstanding historical figure, Empress Wu Zetian, the only Chinese woman in history, who has appeared on the stage with positive and affirmative figures. The purpose of this play is very clear. It is a reversal of the rule of force and the theme of the motion is feudal orthodoxy against women who disparage the arts. Section is also very appropriate, seven performances performed 50 years of history. Performing arts are also very good. Comrade Wang Wenjuan, who played Wu Zetian, expressed his profound thoughts and feelings in every era of her life. All in all, the preparation and performance of the play is basically a success. Of course, if there is a strict demand for a historical play, there are still some problems in the play. Now I want to talk about what I think is inadequate. First, Wu Zetian’s main role in history has not been reflected. According to my opinion, Empress Wu is an outstanding historical figure not only because she was adept at using her beauty and tact to elevate her gradually from the base lady who was exiled to the temple to Zhaoyi, the Queen,