“迁想妙得”是顾恺之绘画理论中一个极其重要的思想。过去,俞剑华,罗尗子、温肇桐先生曾在《顾恺之研究资料》中对它作过具体的解释,很有影响。但事隔多年,随着美术史论研究的深入,渐感到这种解释的不足,笔者不揣浅陋,提出一些新的看法如下。在顾恺之生活的时代,绘画理论刚刚兴起,在他之前还没有单独论述绘画的文章,绘画理论都附属于文学或哲学之中,它的发 “Moving Imaginary” is an extremely important thought in Gu Kaizhi’s painting theory. In the past, Yu Jianhua, Luo Bangzi and Wen Zhaotong had made specific explanations in Gu Kaizhi’s Research Materials, which had great influence. However, after many years, with the deepening of the study of the history of art, I gradually felt that this lack of interpretation, the author does not humble shallow, put forward some new views are as follows. In the era of Gu Kai’s life, the theory of painting was just emerging. Before him, there was no single article on painting. The theory of painting was attached to literature or philosophy. Its development