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为了详尽说明本文论述的书画“摹古”作伪话题,现在笔者先谈谈与该造假手法的形成有主、客观的连锁系统性反应关系的三种书画鉴藏与创作(初始阶段)的普遍现象:(一)书画名家尤其是大师级名家在很多鉴藏爱好者心目中俨然就是书画界的“精神领袖”。不论在何处只要那些“顶礼膜拜”者看到有某名家署名出现在某书画成品上,那怕平时已有不低的鉴赏眼光
In order to elaborate on the fake topic of the ancient painting and calligraphic painting discussed in this article, I now turn to the common phenomenon of three kinds of calligraphy and painting (initial stage) with the main and objective chain reaction of the formation of the counterfeiting technique (A) calligraphy and painting masters, especially masters Masters in many Kam-lovers in mind is like painting and calligraphy industry’s “spiritual leader.” Wherever as long as those who “worship” who saw a famous signature appeared in a painting on the finished product, even though usually have a low view of appreciation