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近年来,对中国文学史进行反思是中国古代文学研究的一个重要话题。古代文论话语具有独特的复杂性与丰富性,表现为它既是一种理论言说,却时时伴随着感觉与体验;既指向一种普遍性的结论,却从不离开具体的情境;既直接标示的是一种趣味或风格,但其根本处总是关涉某种人生的境界。这就使得任何以西方式的逻辑思维为基点的现代学术话语都难以真正揭示其全部意蕴。总结20世纪中国古代文论研究的经验与教训,我们不难发现,面对这样一种蕴涵丰富的研究对象就必须相应地采用多层次、多维度的研究方法与视角才可能最大限度地接近它。本期刊发的这组笔谈,从不同侧面展现了木斋先生的学术研究历程及带给我们的方法论启示与思考,以期引起学界对中国古代文论方法论问题的持续关注和探讨。
In recent years, reflection on the history of Chinese literature is an important topic in the study of ancient Chinese literature. Ancient literary discourse has its own unique complexity and richness. It manifests itself both as a theoretical speech and its accompanying feeling and experience from time to time. It not only points to a universal conclusion, but never leaves a concrete situation. It not only directly marks Is a kind of taste or style, but its essence is always related to the realm of some kind of life. This makes it difficult for any modern academic discourse based on western logical thinking to truly reveal its full implications. To summarize the experience and lessons learned from the research on Chinese ancient literary theory in the 20th century, we can easily find out that it is necessary to adopt a multi-level and multi-dimensional research approach and perspective in the face of such an implicit research object to make it possible to approach it as closely as possible . This set of writing published in this issue shows from different aspects the academic research history of Mr. Muzhai and the methodological implications and considerations brought to us so as to arouse the continuous attention and discussion of the academic circles on the methodology of ancient Chinese literary theory.