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叙事学在研究拥有和人类历史一般古老的叙事交际行为时,一直试图寻找挖掘作品中叙事的普遍特征。然而在现代以及后现代文学叙事作品的“冲击”下,以“自然叙事”(natural narrative)为母体建构去解读叙事虚构作品的模式也遇到瓶颈,遭到了质疑。随着学术的推进与探讨,学者们更是发现经典现实主义作品的叙事也与这套“自然”的故事叙述模式产生了断层。因此,叙事学中那一些“奇特声音”(strange voice)也应运而生,他们在前人的继承下以不同的思维去思考叙事虚构作品中的声音。
Narratology has been trying to find the universal characteristics of the narrative in excavating works while studying the ancient narrative communication which possesses the general ancient history of human beings. However, under the “shock” of modern and postmodern literary narratives, the mode of interpreting the narrative fictional works from the “natural narrative” as the parent construct has also encountered bottlenecks and has been questioned. With the advancement and discussion of scholarship, scholars even found that the narrative of classic realism works also has a fault with this “natural” storytelling model. Therefore, some “strange voices” in narratology came into being as well. Under the succession of their predecessors, they used different thinking to think about the sounds in narrative fictional works.